In this Wednesday, November 11, 2015 photo, one of the giant mechanical sharks that starred in the movie “Jaws” is seen at Aadlen Brothers Auto Wrecking, also known as U Pick Parts, in the Sun Valley section of Los Angeles. It's not just a junkyard or even a really big junkyard, but a living, breathing monument to Los Angeles pop culture. But the family business is closing on New Year's Eve, and everything must go by then, the cars, the shark, the arches, even the giant car-crushing machine. (Photo by Jae C. Hong/AP Photo)

Israeli soldiers play the parts of wounded civilians during a drill simulating a toxic spill from an attack on a train in Beersheba, southern Israel, 13 January 2016, as Home Front medical teams, fire fighters and police carry out rescue operations. The large scale drill is the concluding exercise of the Fourth International Conference on Healthcare System Preparedness and Response to Emergencies and Disasters and includes some 200 of the world's experts on health system readiness from around the world. The conference is dealing with all types of medical emergencies from terrorist attacks to natural disasters. (Photo by Jim Hollander/EPA)

A man rides a horse through a bonfire as part of a ritual in honor of Saint Anthony the Abbot, the patron saint of domestic animals, in San Bartolome de Pinares, Spain, Saturday, January 16, 2016. On the eve of Saint Anthony's Day, dozens ride their horses through the narrow cobblestone streets of the small village of San Bartolome during the “Luminarias”, a tradition that dates back 500 years and is meant to purify the animals with the smoke of the bonfires and protect them for the year to come. (Photo by Francisco Seco/AP Photo)

A four-year-old dog Nika stands next to an image of Cuba's revolutionary hero Ernesto “Che” Guevara in front of a flooded street in Havana, January 23, 2016. Havana's seafront Malecon continued to be slammed by massive waves that flooded parts of the seaside city on Saturday. As a result, Havana was confronting flooding as a cold front passes through the Caribbean island. The giant waves began washing up onto shore during sunrise. The waves have been accompanied by winds passing through at a speed between 35 and 50 km (21 to 31 miles) per hour. (Photo by Alexandre Meneghini/Reuters)

Mud-covered tourists pretend to be trapped inside a mud prison at the Daecheon Beach Mud Plaza in the city of Boryeong on South Korea's west coast, July 17, as they take part in the Boryeong Mud Festival, which opened that day and runs through July 26. Boryeong mud is rich in natural mineral component and is considered to prevent skin aging. (Photo by EPA/Yonhap)

Sculptures entitled “The Rising Tide” by British sculptor Jason deCaires Taylor are seen beside the River Thames in front of the Houses of Parliament and the London Eye ferris wheel in London, September 3, 2015. The representations of four horses and riders are fully visible at low tide but become immersed underwater twice a day as the Thames rises to reach full tide. The installation will be on display throughout September as part of the annual Totally Thames festival. (Photo by Toby Melville/Reuters)

Demonstrators take part in a mass “face-sitting protest” outside the Houses of Parliament in central London on December 12, 2014, as they protest against changes to p*rnography regulations. An amendment to the 2003 Communities Act applies the same strict rules to p*rn bought online as those included in the guidelines set out by the British Board of Film Censors for DVDs. The new laws ban films that feature s*x acts, such as spanking, caning, strangulation, aggressive whipping, humiliation, and face-sitting. Ministers say the rules have been brought in to protect s*x workers. But campaigners say it is an attempt to censor and control the internet. Paid-for videos shot overseas and viewed online in the UK are not affected by the new rules, which were introduced on December 2, 2014. (Photo by Leon Neal/AFP Photo)

A poster for the IMAX presentation of “The Hunger Games: Catching Fire” (left), and a teaser poster for “The Hunger Games: Mockingjay, Part I”, both created by the Los Angeles-based design firm IGNITION. Both are nominated for the 2014 Key Art Awards in the category of Theatrical Domestic One-Sheet. The Hollywood Reporter's annual competition for the best in film and TV advertising honors some of the most creative imagery used in movie posters. Here is a selection of some of this year's nominees. (Photo by Key Art Awards 2014)