A woman and a child make a bonfire at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, April 1, 2016. (Photo by Marko Djurica/Reuters)

Audience take photos of a model presenting a creation by Greek designer Dimitrios Ordoulidis during the 10th Athens Exclusive Fashion Week in Athens, Greece, October 22, 2016. (Photo by Alkis Konstantinidis/Reuters)

Janus, a two-headed Greek turtle named after the Roman god with two heads is testing a kind of skateboard to rehabilitate one day ahead of her 25th birthday at the Natural History Museum in Geneva on September 2, 2022. (Photo by Pierre Albouy/Reuters)

Girls play in the makeshift refugee camp at the northern Greek border point of Idomeni, Greece, Thursday, March 17, 2016. Leaders of the EU's 28 divided nations reconvene in Brussels in hopes of ironing out disagreements on a proposed agreement with Turkey in the migrants crisis. (Photo by Vadim Ghirda/AP Photo)

A model has her hair done backstage before a fashion show by Greek designer Mary Katrantzou during the Mercedes-Benz China Fashion Week in Beijing, China, 27 March 2016. The fashion week runs until 31 March. (Photo by How Hwee Young/EPA)

This aerial image shows a gossan reservoir at the Riotinto mines in Minas de Riotinto, near of Huelva on September 30, 2022. Although the Rio Tinto Company began to exploit these mines in 1873, this mining site already supplied minerals to the ancient Greeks and Romans. (Photo by Jorge Guerrero/AFP Photo)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)