Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)

Adventurer Sam Cossman movies towards the huge lava lake wearing a custom built industrial proximity heat suit on December 20, 2014 in Ambrym, Vanuatu. (Photo by Conor Toumarkine/Barcroft Media)

Hundreds of gannets dive for mackerel off the coast of Shetland, Northern Isles of Scotland on July 2020, where they plunge into the water from heights of up to 100ft at speeds of 60mph. (Photo by David Keep/The Times)

A picture taken with slow shutter speed shows Emily Vaca performing in the finals of the Tenth World Salsa Festival in Cali, Colombia, 04 October 2015. (Photo by Christian Escobar Mora/EPA)

Aleksandra Miroslaw, of Poland, competes during the speed portion of the women's sport climbing final at the 2020 Summer Olympics, Friday, August 6, 2021, in Tokyo, Japan. (Photo by Tsuyoshi Ueda/Pool Photo via AP Photo)

Rita Ora leaving her hotel to go to BBC Children in need on November 07, 2018 in London, England. (Photo by Mark R. Milan/GC Images)

Artist Ali Khalifa, center, draws graffiti at his old Kadhimiya district of Baghdad that needed municipal services, Iraq, Wednesday, June 2, 2021. (Photo by Hadi Mizban/AP Photo)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.