America’s Haunts, a trade association, estimates there are 1,200 for-profit haunted attractions in the U.S. plus another 3,000 haunted houses operated by charities that open for only a day or two every year. The commercial attractions collectively bring in from $300 million to $500 million annually. Fright Nights attendees make a turn through one of four haunted houses at this year's spooking season setup at the South Florida Fairgrounds. This house is named The Smiths and was created by Craig McInnis. (Photo by The Palm Beach Post)

Brick-carving featuring Tang Dynasty (AD 618-907) maids performing musical instruments is seen at the Chinese Music History Museum in Xian University of Architecture and Technology on September 27, 2008 in Xian of Shaanxi Province, China. (Photo by China Photos/Getty Images)

Three prostitutes lean out of a window in Santiago, Chile, in an attempt to entice customers inside, circa 1950. (Photo by Three Lions/Getty Images)

Damaged buildings stand in the rebel-controlled area of Maaret al-Numan in Idlib province, Syria September 6, 2016. (Photo by Ammar Abdullah/Reuters)

A Beija-Flor samba school member performs during the second night of the Carnival parade at the Sambadrome in Rio de Janeiro, Brazil on February 25, 2020. (Photo by Sergio Moraes/Reuters)

Last weekend, the National Building Museum in Washington, D.C., opened a 10,000 square-foot ball pit to the general public, and everyone cheered that, finally, someone made their childhood dreams come true.

The National September 11 Memorial & Museum (branded as 9/11 Memorial and 9/11 Memorial Museum) is the principal memorial and museum commemorating the September 11 attacks of 2001, which killed nearly 3,000 people, and the World Trade Center bombing of 1993, which killed six. The memorial is located at the World Trade Center site, on the former location of the Twin Towers, which were destroyed during the attacks. The World Trade Center Memorial Foundation was renamed the National September 11 Memorial & Museum at the World Trade Center in 2007.

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)