A Pakistani Hindu woman lights candles during Diwali celebrations at a local temple in Lahore, Pakistan, Wednesday, November 11, 2015. Diwali, the festival of lights, is one of Hinduism's most important festivals dedicated to the worship of Lakshmi, the Hindu goddess of wealth. (Photo by K. M. Chaudary/AP Photo)

U.S. Army soldiers with the 1st Battalion, 501st Infantry Regiment deployed to Combat Outpost Sabari, Afghanistan scan their area as they begin a multi-day air assault mission near the Pakistani border of eastern Afghanistan's Khost province May 2, 2012. (Photo by Staff Sgt. Joshua L. DeMotts/U.S. Air Force)

Pakistani youths cool off in a stream during hot weather on the outskirts of Islamabad on April 29, 2016. Pakistan's Meteorological Department has forecast hot and dry weather in most parts of the country with the highest temperatures recorded at 41 celsius in the southern Sindh province. (Photo by Aamir Qureshi/AFP Photo)

Pakistani vendors carry animals in a bus for the upcoming Muslim festival Eid al-Adha in Lahore, Pakistan, Monday, August 5, 2019. Eid al-Adha, or Feast of Sacrifice, is the most important Islamic holiday and marks the willingness of the Prophet Ibrahim (Abraham to Christians and Jews) to sacrifice his son. (Photo by K.M. Chaudhry/AP Photo)

Pakistani passengers ride on crowded train returning from their hometown and villages after celebrating the Eid al-Fitr holiday to mark the end of the Muslim holy fasting month of Ramadan, to Lahore, Pakistan, Monday, July 11, 2016. (Photo by K.M.Chaudary/AP Photo)

A Pakistani child, whose family was displaced by 2010 floods from a village in Pakistan's Sindh province, sits on a wooden cart outside her family's makeshift home, in a slum on the outskirts of Islamabad, on February 8, 2013. (Photo by Muhammed Muheisen/AP Photo)

Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.