Canadian artist and mother Ruth Oosterman started collaborating with her 2-year-old daughter Eve earlier this year. Ruth takes Eve’s doodles and adds watercolors to them, turning the collaborative works of art into beautiful paintings.

Supporters of Ugandan President Yoweri Museveni celebrate his election victory in Kampala, Uganda February 20, 2016. Ugandan President Yoweri Museveni extended his 30-year rule on Saturday, winning an election that international observers said lacked transparency and his main opponent, who was placed under house arrest, denounced as a sham. (Photo by Goran Tomasevic/Reuters)

Hotel staff demonstrates “Lantern Dining Experience”, which enables diners to enjoy meals while protecting themselves against the spread of the coronavirus disease (COVID-19) at Hoshinoya Tokyo in Tokyo, Japan, February 2, 2022. The lantern-shaped transparent partitions are created by Japan’s traditional craftsman and guests staying at the hotel who pay 30,000 yen (about 260 USD) as venue charge can invite others to dine with them under the partitions. (Photo by Kim Kyung-Hoon/Reuters)

Japan Agricultural Cooperation Kagawa employees arrange cubic watermelons to be shipped within the country, in Zentsuji city, Kagawa prefecture, western Japan, Wednesday, June 24, 2020. The about 18x18x18-centimeter (7x7x7-inch) square watermelons, grown in transparent square containers, will be sold for about 10,000 yen ($94) each. (Photo ny Maiko Hirai/Kyodo News via AP Photo)

Frank Melech is a german artist that works with illustration and digital compositing. What we’re bringing you here today is a slice of such work that we thought, besides remarkably talended, highly creative, because Frank Melech starts with a light bulb, a universal symbol of Idea but also a metaphor for an enclosed but transparent world, and inserts in them precisely other worlds and ideas.

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.