A demonstrator smashes a shop window during a protest condemning the arrest of rap singer Pablo Hasél in Barcelona, Spain, Saturday, February 20, 2021. A fifth night of peaceful protests to denounce the imprisonment of a Spanish rap artist once more devolved into clashes between police and fringe group members who set up street barricades and smashed storefront windows in Barcelona. (Photo by Joan Mateu/AP Photo)

People are seen through a window as they attend the traditional wedding ceremony of Emir's 7 children in Abuja, Nigeria, December 26, 2020. (Photo by Afolabi Sotunde/Reuters)

A woman takes photographs of falling snow from a window during a heavy snowfall, amid the coronavirus disease (COVID-19) pandemic in Seoul, South Korea, January 12, 2021. (Photo by Kim Hong-Ji/Reuters)

A zookeeper counts penguins through an observation window during the annual stocktake at ZSL London Zoo in central London on January 3, 2023. (Photo by Justin Tallis/AFP Photo)

“Window of Autumn” by Hasan Baglar taken in Nicosia, Cyprus, which has come first in the All About Plants Section for the RHS Photographic Competition 2019. (Photo by Hasan Baglar/RHS/PA Wire Press Association)

A window cleaner passes a lighter to his colleague while rappelling from a new building in Tianjin March 23, 2007. (Photo by Reuters/Stringer)

A worker makes auto parts on a machine inside a workshop in Faridabad, India, December 24, 2015. Car makers such as Maruti Suzuki India and Hyundai Motor see huge growth in India, set to become the world's third-largest auto market by 2020 as millions buy their first new car. Price tags can be as low as $3,000 for a new Tata Motors Nano mini-car. India is also becoming a low-cost export hub for global car makers such as General Motors and Ford Motor. As the sector expands, some of the work is sub-contracted out to small factories operating on paper-thin margins, where poor contract workers often have little or no access to safety equipment or health benefits. (Photo by Adnan Abidi/Reuters)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.