Newlyweds take wedding photos hanging from bridge, Yueyang, Hunan province, China on August 9, 2016. They held such a special wedding ceremony on China's Qixi Festival. (Photo by Top Photo Corporation/Rex Features/Shutterstock)

“Falling Back To Earth” promises to be both spectacular and meditative, and presents a beautiful, thought-provoking vision of our relationship with the earth and with each other. (Photo by Dave Hunt/EPA)

The Sculpture Bank (2017) by Chinese artist Mu Boyan is exhibited along the Bondi to Tamarama Coastal walk as part of the Sculpture by the Sea exhibition in Sydney, Australia, October 18, 2018. (Photo by Charlotte Curd/The Guardian)

Anything not recycled in industry is sold on stalls along the neighbouring highway in Sitakunda Beach, Bangladesh, February 2012. A look inside Bangladesh’s ship breaking yards reveal the brutal conditions workers are subjected to everyday. (Photo by Jan Møller Hansen/Barcroft Images)

Emperor penguins gathered together to keep their chicks warm in these pictures. Marine scientist Frederique Oliver snapped the protective parents in Antarctica as they huddled against the huge winds.The adorable birds have to battle temperatures on -20 degrees Celsius as well as winds of up to 40 knots on the ice. (Photo by Frederique Oliver/Caters News)

A performer takes part in a religious procession ahead of the “Agrasen Jayanti” festival, which celebrates the birth anniversary of legendary Hindu king Agrasen Maharaj, in Ajmer on October 11, 2023. (Photo by Himanshu Sharma/AFP Photo)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)