A member of the “Castellers Minyons de Terrassa” adjusts her belt before forming a human tower or ÒcastellÓ during the festival of the patron saint of Barcelona “The Virgin of Mercy” at Sant Jaume square in Barcelona, Spain, September 20, 2015. The formation of human towers is a tradition in Catalonia dating back to the 18th century. (Photo by Susana Vera/Reuters)

A man arrested for protesting over human rights abuses makes a court appearance in leg irons at the magistrates courts in Harare, Monday, September 14, 2020. Human rights defenders say it appears the government is using restrictions imposed to combat COVID-19 to suppress political criticism. Opposition officials, human rights groups and some analysts accuse Mnangagwa of abusing the rights of critics, using tactics as harsh as his predecessor, the late Robert Mugabe. (Photo by Tsvangirayi Mukwazhi/AP Photo)

“Anastasiya Shpagina is one of the famous women who have transformed themselves into looking like human dolls. Hailing from Ukraine, 19-year-old Anastasiya Shpagina always loved Japanese cartoon characters, and has dreamed of becoming a living doll that appears in animes. She transformed her look into something that can be seen in the pages of a manga book”.

Photo: “Human Anime Doll” Anastasiya Shpagina (R) with “Human Barbie Doll” Valeria Lukyanova. (Photo by Anastasiya Shpagina & Valeria Lukyanova)

Have you ever heard of a phenomenon called the Uncanny Valley? Illustrations created by Swiss illustrator Christo Dagorov show how horrible something may look when it’s a hair’s breadth away from looking human. In his illustrations he combined the shape of human lips with trees, buildings, and even human bodies, making it look from a distance as if the lips were horribly deformed by some unknown disease. However, after a while you make out the shapes, yet the feeling of uneasiness remains, making you shiver from unsuppressable disgust. (Photo by Christo Dagorov)

Monumental landscape artwork “Hush” by installation artist Steve Messam hangs in the moors of Teesdale on July 18, 2019 in Barnard Castle, England. The outdoor installation is inspired by the geology, mining history and landscape of the area. It hangs over Bales Hush, a deep gauge in the terrain created when miners flushed the area with water to reveal the geological riches below. Hundreds of metres of recyclable saffron yellow fabric blow in the wind. (Photo by Christopher Thomond/The Guardian)

Alluvial Fan, China. A vast alluvial fan blossoms across the desolate landscape between the Kunlun and Altun mountain ranges that form the southern border of the Taklimakan Desert in China’s XinJiang Province. Image taken by the ASTER instrument on NASA’s Terra satellite on May 2nd, 2002. (Photo by NASA/GSFC/USGS EROS Data Center)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

An aerial view taken with a drone shows the autumnally colored Fuerst-Pueckler-Park near Cottbus, eastern Germany, Saturday, October 29, 2016. The park, composed with great sensitivity in the 19th century by Prince Hermann von Pueckler-Muskau, is considered as one of the last great German landscape gardens. (Photo by Patrick Pleul/DPA via AP Photo)