A performer entertains the crowd during a rally in support of the leader of the Cameroonian opposition party Movement for the Rebirth of Cameroon (MRC) in Yaounde, on September 30, 2018, prior to the upcoming October 7, presidential elections. (Photo by Marco Longari/AFP Photo)

U.S. President Donald Trump holds news conference on the coronavirus outbreak at the White House in Washington, U.S., February 26, 2020. (Photo by Carlos Barria/Reuters)

Festivalgoers are seen during the 2019 Coachella Valley Music And Arts Festival on April 20, 2019 in Indio, California. (Photo by Emma McIntyre/Getty Images for Coachella)

Workers install a monument inside Beirut port as a remembrance for the victims of the 04 August harbor blast in Beirut, Lebanon, 27 July 2021. A massive blast on 04 August 2020 rocked Beirut's port in which at least 200 people were killed and more than 6,000 injured, believed to have been caused by an estimated 2,750 tons of ammonium nitrate stored in a warehouse, devastated the port area of Beirut and several parts of the city. (Photo by Wael Hamzeh/EPA/EFE)

Osman Abdulahi carries fish at the Orobo beach in Hamarweyne district of Mogadishu, Somalia on November 5, 2021. (Photo by Feisal Omar/Reuters)

A boy poses for a picture amid clashes between supporters of Shiite Muslim cleric Moqtada and Iraqi security forces in Tahrir Square in the centre of Iraq's capital Baghdad on September 28, 2022, during a parliament session in the nearby high-security Green Zone across the Tigris river. Three rockets were fired at Baghdad's Green Zone, wounding seven security force personnel as parliament was holding its first session in two months, Iraq's security forces said. The parliament, at the centre of a months-long political paralysis, met for the first since deadly unrest in August to vote on the resignation of its speaker. (Photo by Ahmad Al-Rubaye/AFP Photo)

Kids jump off the breakwater into the ocean ahead the Fourth of July holiday in Gloucester, Massachusetts, U.S., July 3, 2023. (Photo by Brian Snyder/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)