Jenifer Lopez, 12, watches television at her home in Havana January 9, 2015. (Photo by Alexandre Meneghini/Reuters)

In this September 16, 2017 photo, a music fan poses for the photo against an angel wings' mural at the Rock in Rio music festival in Rio de Janeiro, Brazil. (Photo by Leo Correa/AP Photo)

Palestinians scuffle with Israeli forces at Damascus Gate in Jerusalem's Old City on December 8, 2017. Palestinians clashed with Israeli security forces after calls for a “day of rage” as US President Donald Trump's declaration of Jerusalem as Israel's capital sent shockwaves through the region for a second day. (Photo by Thomas Coex/AFP Photo)

“Leopard Hunting a Stork”. “One-shot capture. I watched the leopard stalking the stork, I only had time to focus at 400mm, no time to change to high speed, I watched the stork, and as soon as it flapped its wings, I shot one shot”. (Photo by Paul Rifkin/National Geographic Travel Photographer of the Year Contest)

A model presents a creation from the collection Agua de Coco during the Sao Paulo Fashion Week, Brazil on October 26, 2018. (Photo by Nacho Doce/Reuters)

The pedestrian zone on the banks of the “Parco della Pace” at Lake Maggiore is flooded due to flooding, on Thursday, October 24, 2019 in Locarno, Switzerland. (Photo by Samuel Golay/Ti-Press/Keystoen)

The Arcaid awards highlight the best architectural photographs of the year – pictures of everything from giant arenas to tiny huts. The shortlisted photographs will be exhibited at the World Architecture Festival in Berlin, from 16 to 18 November, with an overall winner announced during the event’s gala dinner. Here: The stage for Haduwa Arts & Culture Institute, Ghana. Architect: (applied) Foreign Affairs. Nominated in the Sense of Place category. The open-air auditorium of this arts institute in Apam, Ghana, is built from ultra-strong curved bamboo. (Photo by Julien Lanoo)

Huang Mei-ya in a scene from Lunar Halo by Cloud Gate at Sadler's Wells in London in the last decade of November 2023. (Photo by Tristram Kenton/the Guardian)