A dancer waits to perform during festivities marking the start of the annual harvest festival of “Onam” in Kochi, India, August 19, 2015. The ten-day-long Hindu festival is celebrated annually in India's southern coastal state of Kerala to commemorate the return of King Mahabali to his beloved subjects. (Photo by Sivaram V/Reuters)

In this April 4, 2017 photo keeper German Alonso straps a leg prothesis to on the left leg of secretarybird Soeckchen (Sagittarius seprentarius) at the bird park in Walsrode, northern Germany. The prothesis was made in a 3D-printer after his left leg was amputated. (Photo by Philipp Schulze/DPA via AP Photo)

A woman walks in front of an art installation made of artificial fruits and vegetables during the “Moscow Autumn” festival in central Moscow, September 14, 2015. (Photo by Maxim Zmeyev/Reuters)

Australian cosplay enthusiast Sunni Daniele dressed up as his favourite character from either animation, comic or video game poses for a photograph during Oz Comic Con in Sydney, Australia, 27 September 2015. Cosplay is a combination of the words 'costume' and 'play' where fans dress up as their favourite Japanese comic characters. (Photo by Dan Himbrechts/EPA)

U.S. Corporal Stanley Suski, left, and Miss Tamako, a Geisha girl, whirl a bit of Jitterbug, in a bar, in Tokyo, Japan, on October 1, 1945. (Photo by AP Photo)

A guide dangles a live chicken in front of a crocodile in the village of Bazoule, Burkina Faso, December 4, 2015. The villagers believe the crocodiles that live there are sacred. (Photo by Joe Penney/Reuters)

Myanmar revellers take part in celebrations on the fifth and last day marking Thingyan, a water festival which brings in the country's new year, in Yangon on April 16, 2016. The Buddhist festival of water pouring symbolizes spiritual cleansing and begin the new year free from worldly impurities with celebrants devoting the four days of Thingyan in merry making of water dousing until the eve of new year. (Photo by Romeo Gacad/AFP Photo)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)