The Rio de Janeiro Olympics kick off on August 5 for some two weeks of competitive games drawing athletes as well as audiences from around the world. As they prepare to cover the event, Reuters photographers look back on their favourite pictures from past Olympics where they captured the action on the ground as well as the participants' tears and joy that followed. (Photo by Lucy Nicholson/Reuters)

A Manipuri woman sells smoked and dry fish in Ima market - the world's largest all women market – in Imphal city, Manipur state, 06 January 2016. The 150-year-old Ima Keithel or “Mothers's market” complex, which is run exclusively by women and was damaged in the 04 January 2016 earthquake, is returning back to normal. Nine deaths have been reported from in and around Imphal due to falling debris. Imphal has a population of some 270,000 and people were jolted from their sleep and ran out of their homes in panic when the earth shook 04 January, reports say. (Photo by EPA/Stringer)

A man uses iron sheet to make noises, as a way of trying to disperse desert locusts that had invaded their farms during the second wave invasion in Kakongo village, in Nuu-Mwingi East, in Kitui, Kenya, 06 February 2021. The second wave invasion of the desert locusts in the country comes at a time where most famers are expecting to harvest their farm produce in the country. (Photo by Daniel Irungu/EPA/EFE)

The kinetic sculptures created by Anthony Howe are nothing short of a miracle. You simply cannot wrap your mind around the fact that these creations are real. The magic comes from the fact that all the creations of Anthony Howe were first digitally modeled and only then wrought from metal. The resulting pieces of art are mystifying, entrancing, and sometimes even terrifying. For example, one of the earlier creations of Howe is an installation called “About Face”. It is a human face, pieces of which move from side to side, even if there is just a gentle breeze. However, most of his creations are mesmerizing, capturing your mind, as you marvel at their intricacy.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

Mirko Hanák was born in 1921 in Prague, Czech Republic and worked as a painter, graphic designer and illustrator. His specialties were animals and human figures that were full of life and fun. He also had a firm grasp on composition as his paintings were so well balanced despite his casual fluid line. He was working on “Charlotte's Web” the movie when he tragically died at the height of his career from leukemia in 1971.