Women sunbath as Ferrari's Brazilian driver Felipe Massa drives past during the third practice session at the Circuit de Monaco in Monte Carlo on May 25, 2013 ahead of the Monaco Formula One Grand Prix. (Photo by Alexander Klein/AFP Photo)

British-based Ukrainians gather outside the Russian Embassy in London to protest against the build-up of troops in the Crimea region, on March 2, 2014. The demonstrators chanted and held banners demanding “Hands off Ukraine”. (Photo by John Stillwell/PA Wire)

Models blow kisses backstage at the Red Beard show during MBFWI presented by American Express Fall/Winter 2014 on March 13, 2014 in Istanbul, Turkey. (Photo by S. Alemdar/Getty Images for IMG)

Local villagers fall onto the ground from an ox-cart as they ride to rid evil spirits from their village at Pring Ka-ek village, Cambodi. (Photo by Heng Sinith/AP Photo)

Revelers jump on a rainbow painted crosswalk in Church Street, Toronto's LGBT neighbourhood, before “WorldPride”, a gay pride parade, in Toronto, June 29, 2014. Toronto is hosting WorldPride, a week-long event that celebrates the lesbian, gay, bisexual and transgender (LGBT) community. (Photo by Mark Blinch/Reuters)

These illustrations are the work of an artist who has put a sinister spin on iconic animations in order to highlight the disturbing realities of domestic abuse. No Violence Against Women is a project by Italian artist and activist AleXsandro Palombo, 40, who is based in Milan. It forces its audience to confront the plight some women go through under the pretence of a happy relationship or family. (Photo by aleXsandro Palombo)

A member of the Air Force's Wings of Blue Parachute Demonstration Team salutes as he jumps out of an aircraft, during the opening ceremony of Aviation Nation 2017 Nellis Air and Space Expo at Nellis Air Force Base, Nev., November 10, 2017. (Photo by Senior Airman Kevin Tanenbaum/Reuters/U.S. Air Force)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)