New Jersey based artist, Joe Iurato creates art using hand-cut paper and spray paint to make small wood cutout figures and placed in public spaces. According to Iurato, “a puddle can become a lake, a small crack in a cement wall can become a magnificent climb, a planter box can become a place for a child to play, and a shadow might be a tangible space for a few seconds a day”. Photo: “Small World”. (Photo by Joe Lurato)

“The Last Pollen Spore Preparing to Leave a Ladybug Trying to Hold On, Because It Didn't Want to Be Alone”. Photo by Hiep Nguyen Hoang (Hanoi, Vietnam). Photographed in Hanoi, Vietnam, April 2012.

Female Afghan National Police (ANP) officers aim their weapons during a drill at a training centre near the German Bundeswehr army camp Marmal in Mazar-e-Sharif, northern Afghanistan on December 11, 2012. (Photo by Fabrizio Bensch/Reuters/File Photo)

A member of the Community Police of the FUSDEG (United Front for the Security and Development of the State of Guerrero) poses with a weapon during events to mark the first anniversary of the force's operations in Ocotito, January 23, 2015. Based on the traditional indigenous justice system, the Community Police is made up of volunteers from different communities of Guerrero, and was created in response to the spate of violence in several locations in the state. (Photo by Jorge Dan Lopez/Reuters)

A reveler, dressed as a Brazilian national army soldier holding a mock weapon with flowers jutting out of it, participates in the annual Gay Pride Parade in Sao Paulo, Brazil, Sunday, June 18, 2017. (Photo by Nelson Antoine/AP Photo)

The November 2018 Square Print Sale, presented by Magnum Photos and Aperture, brings together over 100 images to explore perspectives on transition and transformation in photography. Here: New York City, 1965, by Joel Meyerowitz. “A girl on a Vespa on her way to who knows where, when the light stopped her at the 72nd street crossing near the Dakota, where John Lennon would one day cross paths with his fate. She takes this moment to finesse a fingernail before she resumes her downtown journey, while I, stopping at the same crossing, but on foot, leap into the street to capture this vision of a dream girl before time takes her on her way”. (Photo by Joel Meyerowitz/Courtesy Aperture)

In this January 4, 2016 photo, the weapon of a rebel fighter for the 36th Front of the Revolutionary Armed Forces of Colombia, or FARC, hangs from a branch serving as a makeshift clothesline, near a rebel camp, in Antioquia state, in the northwest Andes of Colombia. “We’ll lay aside our weapons, like the accord says, but never hand them over”, says Juan Pablo, a commander of the 36th Front. (Photo by Rodrigo Abd/AP Photo)