These images capture the intricate details of minuscule snowflakes, moments before they melt. The shots were taken by Don Komarechka, 31, who has had a lifelong fascination with all things macro – especially snowflakes. The professional photographer says people often don’t believe that his pictures are real because they’re so perfect. (Photo by Don Komarechka/Caters News Agency)

A Rohingya refugee child with thanaka paste is seen in Cox's Bazar, Bangladesh, July 4, 2018. (Photo by Mohammad Ponir Hossain/Reuters)

In this January 12, 2016 photo, an abandoned boat lies on the dried up lake bed of Lake Poopo, on the outskirts of Untavi, Bolivia. Drought caused by the recurrent El Nino meteorological phenomenon is considered the main driver of the lake's demise. Along with glacial melting, authorities say another factor is the diversion of water from Poopo's tributaries, mostly for mining but also for agriculture. (Photo by Juan Karita/AP Photo)

Forgotten Guerrero. A female member of the community defence force holds her weapon. Since early 2019, the village has been attacked repeatedly by Los Ardillos cartel, prompting residents to take action. Rincón de Chautla, Guerrero, 10 June 2019. (Photo by Alfredo Bosco/Luz with the support of Le Figaro Magazine, Winner of the 2020 Humanitarian Visa d’or award, International Committee of the Red Cross/International Festival of Photojournalism 2020)

First prize. Taken over Bali Barat National Park, Denpasar, Bali. Made with a GoPro Hero 2 camera. (Photo by Capungaero)

A dog sits in the shade of a mangrove tree as a woman uses a fork to dig for shellfish on the reef-mud flats of a lagoon located at South Tarawa in the central Pacific island nation of Kiribati May 23, 2013. Kiribati consists of a chain of 33 atolls and islands that stand just metres above sea level, spread over a huge expanse of otherwise empty ocean. With surrounding sea levels rising, Kiribati President Anote Tong has predicted his country will likely become uninhabitable in 30-60 years because of inundation and contamination of its freshwater supplies. (Photo by David Gray/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)