“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

In this photo taken Tuesday, October 14, 2014, skulls and bones are stacked at the Catacombs in Paris, France. The subterranean tunnels, stretching 2 kilometers (1.24 miles), cradle the bones of some 6 million Parisians from centuries past and once gave refuge to smugglers. The site used to close at 5 p.m., but is now staying open until 8 p.m. The change is mainly aimed at allowing more people to visit and reducing long lines, since it can only hold a limited number of people at a time and visits can't be reserved in advance. (Photo by Francois Mori/AP Photo)

Meghan Umphres Leatherman, 9 nine months pregnant and dilated to 1cm seen lifting a heavy weight at her home town gym in Phoenix, Arizona. (Photo by Dave Cruz/Barcroft Media)

French artist Julien Breton aka Kaalam started calligraphy in 2001 by copying Arabic calligraphers. Self-taught, he began to incorporate long exposure photography to create incredible light paintings around the world. All of the images in this gallery were created in-camera, meaning there is no Photoshop trickery or post-production manipulation involved in creating these works of art.

To mark Halloween, 150 teens descended upon a swimming pool in Essex to help mobile network giffgaff recreate the famous Tomatina tomato fight... only this time, with blood and guts. Different takes #giffgaffguts. On October 18, 2013 in Dagenham, England. (Photo by Dave J. Hogan/Stringer for giffgaff)

An elephant bull charges a female hippopotamus as her calf scampers to safety, in Erindi Private Game Reserve in Windhoek, Namibia. (Photo by Rian van Schalkwyk/Barcroft Media)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)