Laura Halford of Wales jumps during her hoop routine as she competes in the rhythmic gymnastics individual all-around final event at the 2014 Commonwealth Games in Glasgow, Scotland, July 25, 2014. (Photo by Phil Noble/Reuters)

A staff member of Sony Computer Entertainment tries out PlayStation 4's virtual reality headset Project Morpheus at its booth in Tokyo Game Show 2014 in Makuhari, east of Tokyo September 18, 2014. (Photo by Yuya Shino/Reuters)

A three month old white Bengal female tiger cub looks around her enclosure at the Buenos Aires Zoo, Argentina, Wednesday, April 16, 2014. Cleo, a captive Bengal white tiger at the zoo, gave birth to two females and one male white tiger cubs on January 16, 2014. (Photo by Natacha Pisarenko/AP Photo)

The giant inflatable Rubber Duck installation by Dutch artist Florentijn Hofman floats on the Parramatta River, as part of the 2014 Sydney Festival, in Western Sydney, January 10, 2014. The creation is five stories tall and five stories wide and has been seen floating in various cities around the world since 2007. (Photo by Jason Reed/Reuters)

A combination photo shows Fata Kovacevic reacting near her flood-damaged house during floods May 20, 2014 (top) and the same place after floods October 8, 2014 in Topcic Polje. (Photo by Dado Ruvic/Reuters)

Isabella Santiago of Venezuela (C) is kissed by runner-ups after she was crowned Miss International Queen 2014 at the transgender/transsexual beauty pageant in Pattaya November 7, 2014. Some 22 contestants from 18 countries, all born male, competed in the week-long event for the crown of Miss International Queen. (Photo by Athit Perawongmetha/Reuters)

Actress Boquita Almonte smashes an old cell phone on “Good Riddance Day” in Times Square in New York December 28, 2014. Good Riddance Day, inspired by Latin American tradition, encourages people to shred and smash their bad memories from 2014 to start the new year fresh. (Photo by Carlo Allegri/Reuters)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)