Central Palo Seco power station of the Puerto Rico Electric Power Authority (PREPA) is seen behind a cemetery, in San Juan, Puerto Rico on January 22, 2018. (Photo by Alvin Baez/Reuters)

The Swiss Air Force Patrouille Suisse aerobatic team performs during the men's downhill race at the Alpine Skiing FIS Ski World Cup in Wengen, Switzerland, Saturday, January 19, 2019. (Photo by Anthony Anex/Keystone via AP Photo)

A sеx worker performs in a mobile peep show to protest against the decision that sеx workers are not yet allowed to return to work, in The Hague, The Netherlands. 02 March 2021. The Dutch cabinet stipulated that all contact professions could return to work after a lockdown, but excluded sеx workers from resuming their work. (Photo by Sem van der Wal/EPA/EFE)

In this April 18, 2019 photo, tattoo artist Lalo Calva inks a tattoo on client Adrian Alonso Rodriguez, a journalist, announcer and dubbing artist, at the Corona Tattoo parlor in Mexico City. Not only inks and techniques have changed in Mexico over the years, but tattoos themselves have evolved from stigmatized symbols of gangs, violence and poverty to an art form. (Photo by Marco Ugarte/AP Photo)

Afghans pass a clothing storein Kabul, Afghanistan, Tuesday, October 12, 2021. (Photo by Ahmad Halabisaz/AP Photo)

A woman holds her dog to be blessed outside St. Anton Church to mark St. Anton Day, Animal patron saint, in downtown Madrid, Spain, 17 Jan​uary 2022. (Photo by David Fernandez/EPA/EFE)

Hotel staff demonstrates “Lantern Dining Experience”, which enables diners to enjoy meals while protecting themselves against the spread of the coronavirus disease (COVID-19) at Hoshinoya Tokyo in Tokyo, Japan, February 2, 2022. The lantern-shaped transparent partitions are created by Japan’s traditional craftsman and guests staying at the hotel who pay 30,000 yen (about 260 USD) as venue charge can invite others to dine with them under the partitions. (Photo by Kim Kyung-Hoon/Reuters)

Miss Lovely Legs competition at the Pick 'n Pay hypermarket in Boksburg, South Africa, 1980. (Photo by David Goldblatt/Museum of Contemporary Art Australia)