A weeping South Vietnamese mother and her three children are shown on the deck of this amphibious command ship being plucked out of Saigon by U.S. Marine helicopters in Vietnam, April 29, 1975. (Photo by AP Photo)

A tornado builds and travels southwest causing damage near Dean Rd. and 82nd Avenue in Hutchinson, Kan. on Monday, July 13, 2015. (Photo by Sandra J. Milburn/The Hutchinson News via AP Photo)

Cyclists compete during the UCI BMX World Championships Elite Women's Moto Race on May 29, 2016 in Medellin, Antioquia department, Colombia. (Photo by Raul Arboleda/AFP Photo)

English comic actor and director Charlie Chaplin (Sir Charles Spencer Chaplin, 1889–1977) seated on straw bales during the filming of “The Circus” with his leading lady Merna Kennedy (1908–1944). (Photo by Margaret Chute/Getty Images). 1928

Filipino boys play basketball at an improvised court hooked on multi-layered tombs at a public cemetery in Navotas, north of Manila, Philippines on Thursday Oct. 31, 2013. Filipinos are expected to flock to cemeteries on November 1 to remember their dead as they observe All Saints Day in this predominantly Roman Catholic country. (Photo by Aaron Favila/AP Photo)

A Nepalese boy gets ready to perform a stick dance during a rally held to pay tribute to the victims of an earthquake, in Bhaktapur, Nepal, Wednesday, September 2, 2015. Two powerful earthquakes in April and May devastated the Himalayan nation killing more than 8,800 people. (Photo by Niranjan Shrestha/AP Photo)

A woman sits as she gets a tattoo on her leg during the annual Panama City Ink Fest in Panama City August 16, 2015. (Photo by Carlos Jasso/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)