The dapper beasts are the creation of Barcelona-based artist and photographer Yago Partal, 31, whose work has achieved a cult following online. In his latest project he has merged photographs and illustrations to create a set of quirky animal portraits. Photo: “Hare wearing a v-neck jumper and shirt”. (Photo by Yago Partal/Barcroft Media)

See also: Zoo Portraits By Yago Partal. Part 1

In this Friday, January 24, 2014 photo, Afghan refugee girl, Robina Haseeb, 5, poses for a picture, while playing with other children in a slum on the outskirts of Islamabad, Pakistan. (Photo by Muhammed Muheisen/AP Photo)

These images, scanned from old glass negatives which had surfaced in northern France, were believed to have been taken by a local amateur photographer in 1916. They showed British and a few Australian soldiers, in formal or informal poses, during or just before the most murderous battle in the history of the British Empire – Battle of the Somme. Who are these British and British Empire soldiers? The identity of the soldiers is, and may always remain, a mystery... (Property of Bernard Gardin/Dominique Zanardi/Joel Scribe/The Independent Magazine)

“People of the River”. This is a Karo tribe family; father, mother, two sisters and two brothers. The tribe, who live along the Omo River in east Africa, incorporate rich symbolism into their rituals by using ornate body art, headdresses and body scarification to express beauty and significance. (Photo by Jatenipat Ketpradit/International Portrait Photographer of the Year)

Photographer Martin Schoeller examines the visual nuances of twins. Schoeller was born in Munich, Germany in 1968, studied photography at Lette Verein in Berlin and lives in New York. (Photo by Martin Schoeller)

Pope John Paul II (1920–2005) is shot by would-be assassin Mehmet Ali Agca in St Peter's Square, 13th May 1981. His attendants help him into his white jeep after the incident. (Photo by Keystone/Hulton Archive/Getty Images)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.