A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

White lioness Azira lies in the cage with her three white cubs, on February 4, 2014. Zoo owner Andrzej Pabich says white lions often have defects that prevent giving birth, or the mother rejects her cubs, but Azira has been patiently feeding and caring for her little ones. (Photo by Czarek Sokolowski/Associated Press)

Five micropigs born to mother, “Truffel”, are seen in Zoo Wuppertal on August 11, 2014 in Wuppertal, Germany. The five micropigs are the major attraction of Zoo Wuppertal. Pigedy, Fiete, Frederik, Smartie are 4 males and is Keks is a female micropig. (Photo by Animal Press/Barcroft Media)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.