Roger Moore fights with Richard Kiel, as Jaws, who bites through a board in a scene from the film “The Spy Who Loved Me”, 1977. (Photo by United Artist/Getty Images)

A protester wearing a bra and with a message written on her chest can be seen during the first of hundreds of womens' marches organized around the world in a show of disapproval of U.S. President Donald Trump in Sydney, Australia, January 21, 2017. (Photo by Dan Himbrechts/Reuters/AAP)

American students going wild during their Spring Break week-long recess in Cancun, Mexico on March 10, 2007. (Photo by Keystone USA/ZUMA Press/Rex Features/Shutterstock)

A man walks down a flooded road in Islip, New York August 13, 2014. More than a foot of rain hit parts of New York's Long Island on Wednesday, enough to set a preliminary state record, triggering flash floods and swamping cars on major roads that were turned into rivers during the morning rush hour. (Photo by Lucas Jackson/Reuters)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

The Sun rises above the forest near Kiskorpad, Hungary, 02 January 2021. (Photo by Gyorgy Varga/EPA/EFE)

A combination of high tide and strong winds in the coastal city of Saint-Malo, France, resulted in waves as high as apartment blocks on Friday, March 24, 2023. Waves 50 foot (15,24 m) high flooded the streets as they breached sea walls. (Photo by Mathieu Rivrin/Solent News & Photo Agency)

Glamour model and actress Sabrina seated on the knee of Arthur Askey. (Photo by Keystone/Getty Images). 1955