Eagle Prime (MK3), a giant robot by MegaBots Inc. which manufactures giant piloted humanoid fighting robots headquartered in Berkeley, California on October 18, 2017. (Photo by Courtesy Michael Mauldin/Reuters/MegaBots Inc)

Men help a woman affected by tear gas used by National Police officers to disperse a demonstration of supporters of Fanmi Lavalas political party in the streets of Port-au-Prince, Haiti, November 22, 2016. (Photo by Andres Martinez Casares/Reuters)

Models wait for their turn at an audition for the upcoming Lakme Fashion Week (LFW) Summer/Resort 2017 in Mumbai, India, 14 December 2016. Around 83 national and international models participated in the audition from which five got selected. The LFW Summer/Resort 2017 is scheduled to start from 01 to 05 February 2017. (Photo by Divyakant Solanki/EPA)

People wearing Christmas hats bath in a pool of watermelon peel during a Christmas service at a hot spring in Luoyang, Henan province, China, December 24, 2016. (Photo by Reuters/Stringer)

Men stroll past roadside vendors as a painted truck makes its way through the busy street in Kabul, Afghanistan, November, 1961. (Photo by Henry S. Bradsher/AP Photo via The Atlantic)

A pigeon rests on a wild iguana in a tree inside Seminario Park in Guayaquil, Ecuador, Thursday, April 3, 2014. Pigeons coexist with the wild iguanas at this park in the middle of the city surrounded by savannah. (Photo by Dolores Ochoa/AP Photo)

“A Mothers Tail”. A baby cub pulls on his mother's tail to get attention. Photo location: Masai Mara, Kenya. (Photo and caption by Tori Marsh/National Geographic Photo Contest)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)