A family member of the Toraja ethnic group prepares the bodies of exhumed relatives from a community burial site to be cleaned and dressed in a series of traditional ceremonies honouring the dead known as Manene at Torea village, in North Toraja, Indonesia's South Sulawesi on August 17, 2022. (Photo by Andri Saputra/AFP Photo)

A woman with the Ukrainian national colours painted on her body and reading “Stop raping us” protest on the red carpet during the screening of the film “Three Thousand Years of Longing” during the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 20, 2022. (Photo by Sarah Meyssonnier/Reuters)

A silicon rug in the form of Adolph Hitler on display during an exhibition by Israeli artist Boaz Arad, at the Center for Contemporary Art February 22, 2007 in Tel Aviv, Israel. Arad is an Israeli artist who is dealing with the Holocaust in a provocative way. He uses the Holocaust to discuss human evil and contemporary Israel, which he says is torn and crumbling. (Photo by David Silverman/Getty Images)

Though it is often said that the human eye can be revealing about a person, Jakarta-based Indonesian artist Veri Apriyatno's series titled The Witnesses reveals a lot more about a person's surroundings through the reflection of their eyes. Each hyperrealistic mixed media creation in the series (made with charcoal, pencil, and acrylics on canvas) presents an entire world within the gaze of a glistening eye.

Images from my travels with John Paul Caponigro in the spring of 2011. During that week JP inspired me to create this body of work. This is my path, my pathways in arches.