A street vendor sells sliced fruits during a pro-government rally in Caracas, Venezuela, June 21, 2016. (Photo by Mariana Bazo/Reuters)

In this Wednesday, September 12, 2018, file photo, vendors carry banana on their heads at a fruit and vegetable market in Peshawar, Pakistan. Pakistan says it will seek a bailout loan from the International Monetary Fund to address a mounting balance of payments crisis, Finance Minister Asad Umar said Monday. (Photo by Muhammad Sajjad/AP Photo)

South Korean environmental activists wearing masks symbolizing the coronavirus attend a prevention campaign as South Koreans take measures to protect themselves against the spread of coronavirus (COVID-19) on March 30, 2020 in Seoul, South Korea. South Korea has called for expanded public participation in social distancing, as the country witnesses a wave of community spread and imported infections leading to a resurgence in new cases of COVID-19. According to the Korea Center for Disease Control and Prevention on Monday, 78 new cases were reported. The total number of infections in the nation tallies at 9,661. (Photo by Chung Sung-Jun/Getty Images)

A woman reacts after getting a nasal swab taken to test for the coronavirus in Noida, on the outskirts of New Delhi, India, Tuesday, June 16, 2020. India is the fourth hardest-hit country by the COVID-19 pandemic in the world after the U.S., Russia and Brazil. (Photo by Altaf Qadri/AP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Christian families living in a refugee camp stand under a tree in Kaga-Bandoro, Central African Republic, Tuesday February 16, 2016. Refugees in the north of Central African Republic say they hope the new president will bring peace but no one is heading home just yet. Thousands are still living in displacement camps in Kaga-Bandoro, a stronghold of the former Muslim rebel group known as Seleka that was in power for nearly a year. The one-time rebels say they are waiting to see how the election turns out before taking any action. (Photo by Jerome Delay/AP Photo)

Children fill plastic containers with water from a well on a street, close to a neighbourhood called “The Tank” in the slum of Petare in Caracas, Venezuela, March 17, 2016. Although their nation has one of the world's biggest hydroelectric dams and vast rivers like the fabled Orinoco, Venezuelans are still suffering water and power cuts most days. The problems with stuttering services have escalated in the last few weeks: yet another headache for the OPEC nation's 30 million people already reeling from recession, the world's highest inflation rate, and scarcities of basic goods. President Nicolas Maduro blames a drought, while the opposition blames government incompetence. (Photo by Carlos Garcia Rawlins/Reuters)

Alaa, an ambulance driver, feeds cats in Masaken Hanano in Aleppo, September 24, 2014. Alaa buys about $4 of meat everyday to feed about 150 abandoned cats in Masaken Hanano, a neigbourhood in Aleppo that has been abandoned because of shelling from forces loyal to Syria's president Bashar Al-Assad on it. Alaa said that he has been feeding and taking care of the cats for over 2 months. (Photo by Hosam Katan/Reuters)