A girl gets a helping hand across the road in Swansea, Wales, England on December 31, 2017. (Photo by Athena Picture Agency)

Cropped shot of a woman flirtatiously touching leg of man in a suit with her foot under the table. (Photo by LightField Studios/Skyfish Digital Media/Getty Images)

A competitor loses his shoe during the annual race on high heels during Gay Pride celebrations in the quarter of Chueca in Madrid, Spain, June 30, 2016. (Photo by Susana Vera/Reuters)

A niqab-wearing Salafist protester takes a selfie as she attends a demonstration against the ban on the sale and manufacturing of the full-burqa in Rabat January 15, 2017. (Photo by Reuters/Stringer)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Goats climb on students during a yoga class with eight students and five goats at Jenness Farm in Nottingham, New Hampshire, U.S. on May 18, 2017. Tucked away in a wooded corner of southern New Hampshire, Jenness Farm is the latest small U.S. agricultural operation to cash in on the social media-driven trend, in which yoga enthusiasts practice moves like the cat pose and bridge pose while goats climb around and sometimes on them. (Photo by Brian Snyder/Reuters)

Dancers perform during the annual Tbilisoba festival, celebrating Tbilisi City Day in Tbilisi, Georgia, October 17, 2015. Tbilisoba is an annual October festival, celebrating the diversity and history of Tbilisi, the capital of Georgia. (Photo by David Mdzinarishvili/Reuters)

This 2014 series Shanghai Tian Wa saw Chinese photographer Liu Tao train his lens on two distinct districts in Shanghai. Here: “Shanghai Tian Wai №26, 2014”. (Photo by Liu Tao/The Guardian)