Oakland Athletics left fielder Tony Kemp (5) catches the ball during the first inning against the Miami Marlins at RingCentral Coliseum in Oakland, California on August 22, 2022. (Photo by Stan Szeto/USA TODAY Sports)

New York Police officers arrest a drag queen during a weekly “We Choose Freedom” march through the West Village, Thursday, November 5, 2020, in New York. (Photo by Seth Wenig/AP Photo)

A reveler playfully sticks out her tongue during a street pre-carnival party by the “Cordao do Boitata” Block, in Rio de Janeiro, Brazil, Sunday, February 12, 2023. Revelers are taking to the streets for the open-air block parties, leading up to Carnival's official Feb. 17th opening. (Photo by Bruna Prado/AP Photo)

Children stand in a boat at the banks of the polluted Yamuna River during a dust haze as they wait to give a ride to worshippers in New Delhi during World Environment Day June 5, 2010. (Photo by Reinhard Krause/Reuters)

A woman walks past graffiti on a wall in the Williamsburg neighborhood of the borough of Brooklyn, in New York, September 16, 2014. The picture was taken through car window with raindrops. (Photo by Shannon Stapleton/Reuters)

At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)

It’s enough to make your head spin. The photographer Katherine Young set out to shoot spiral staircases in London, England to great effect, including this shot she calls the Downward Spiral Part III. (Photo by Katherine Young/Rex Features/Shutterstock)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)