Ximena Rivero of Peru competes in the South American Pole Dance Championship in Buenos Aires November 24, 2014. Participants from throughout South America will be vying for the top spots in the two-day competition, with the winners qualifying for the 2015 World Pole Dance Championship in Hong Kong. (Photo by Enrique Marcarian/Reuters)

A general view of the Coe Collection of American Indian Art press view at the Metropolitan Museum of Art on December 19, 2011 in New York City. (Photo by Dario Cantatore/Getty Images)

A Ugandan soldier, part of the 9,000-strong African Union Mission in Somalia, (AMISOM) walks through the Banadir soccer stadium on August 15, 2011 in Mogadishu, Somalia. The stadium, Somalia's largest soccer facility, had been under control by Islamic extremist Shabab militants for the past two years until they withdrew from the capital more than a week ago. (Photo by John Moore/Getty Images)

Scores of internally displaced Muslims are at the heart of the humanitarian crisis in Central African Republic, where violence between Christians and Muslims has threatened to spiral into genocide. Photo: An internally displaced woman carries her child in a camp for internally displaced people (IDPs), located at Bangui International Airport, April 10, 2014. (Photo by Goran Tomasevic/Reuters)

Singer Ariana Grande (C) performs “Side by Side” during the 2016 American Music Awards in Los Angeles, California, U.S., November 20, 2016. (Photo by Mario Anzuoni/Reuters)

“In 1967, Zhang Yaxin was 34 and working as a photojournalist at China’s state-controlled Xinhua News Agency when he was assigned to a top-secret government project. He was to be the official photographer of a new arts program led by Chairman Mao and his wife – the Model Operas. Though he was not to know it then, Zhang would spend the next seven years documenting the evolution of one of the most dramatic and elaborate attempts to redefine artistic sensibilities in modern art history”. – Chengcheng Jiang via TIME. Photo: Raid on the White Tiger Regiment, 1971. (Photo by Zhang Yaxin/Courtesy See+ Gallery, Beijing)