Protesters on a freeway onramp amid a chaotic traffic situation with the shutdown of the freeway in downtown Los Angeles, California after midnight early on November 10, 2016 as protesters angry over Donald J. Trump's election as the next US president marched in downtown Los Angeles through the evening and shut down portions of the Hollywood (101) Freeway. Thousands of protesters rallied across the United States expressing shock and anger over Donald Trump's election, vowing to oppose divisive views they say helped the Republican billionaire win the presidency. (Photo by Frederic J. Brown/AFP Photo)

Tourists use a selfie stick on the Trocadero Square, with the Eiffel Tower in background, in Paris, Tuesday, January 6, 2015. Selfie sticks have become popular among tourists because you don't have to ask strangers to take your picture, and you can capture a wide view in a selfie without showing your arm. But some people find selfie sticks obnoxious, arguing that they detract from the travel experience. (Photo by Remy de la Mauviniere/AP Photo)

Tempering the violence of modern weaponry with charmingly rendered creatures, artist Xiau-Fong Wee captures a dark humor in her quirky drawings. While some of the weapons appear terrifyingly realistic, others such as in the ray gun wielding bunny portrait, speaks more to the fantastical worlds of science fiction. The anthropomorphic dispositions of the spectacle-wearing creatures also range in merry reverie to stern seriousness, adding to the delightful nature of these well-executed portraits. View more of the drawings below.

A busy rush hour sees thousands of commuters climbing on board a train – as well as holding onto its sides and sitting on the roof before it speeds off. Men, women and children climb and are pulled up onto the roof of the train, which is around 12ft (3.6m) high, as they try to find themselves a space. With no seats available inside, many commuters decide to take the risk and choose a rooftop view for their journey out of Dhaka city, in Bangladesh. (Photo by Yousuf Tushar/Solent News & Photo Agency)

The official name for this tiny speck of land – the size of 12 football pitches – is Hashima, but few call it that. In English, its most commonly used name means “Battleship Island” and, viewed from a certain angle offshore, its silhouette is uncannily dreadnought in nature. It was a mining facility until 1974, when it was abandoned to the elements, before partially reopening as a tourist attraction in 2009. Photo: A decades-old television. (Photo by Mark C. O'Flaherty)

“Gloucester Cathedral, or the Cathedral Church of St Peter and the Holy and Indivisible Trinity, in Gloucester, England, stands in the north of the city near the river. It originated in 678 or 679 with the foundation of an abbey dedicated to Saint Peter (dissolved by King Henry VIII)”. – Wikipedia

Photo: A general view of Gloucester Cathedral is seen on March 22, 2012 in Gloucester, England. With only a few months to go until the opening ceremony of the London 2012 Olympic games, Britain's tourist industry is hoping to benefit from the influx of athletes, officials and visitors. (Photo by Matt Cardy/Getty Images)

“Panopticons is an arts and regeneration project of the East Lancashire Environmental Arts Network managed by Mid Pennine Arts. It involved the construction of series of 21st-century landmarks, or Panopticons (structures providing a comprehensive view), across East Lancashire, England, as symbols of the renaissance of the area”. – Wikipedia

Photo: “Singing Ringing Tree. The Singing Ringing Tree is a musical sculpture overlooking Burnley. It was designed by architects Mike Tonkin and Anna Liu of Tonkin Liu and constructed from pipes of galvanised steel”. (Photos by WandereringSoul/Mark Tighe)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.