A man distributes bread to Burka-wearing Afghan women outside a bakery in Kabul, Afghanistan, Thursday, December 2, 2021. According to U.N. figures from early November, almost 24 million people in Afghanistan, around 60% percent of the population, suffer from acute hunger, including 8.7 million living in near famine. Increasing numbers of malnourished children have filled hospital wards. (Photo by Petros Giannakouris/AP Photo)

A view of knitted Grenadier Guards figures made by members of the 'Hurst Hookers' knitting group after their fitting to posts during a pre-coronation 'yarn bombing' in the village of Hurst, near Reading, England, Friday, April 21, 2023. Heather Howarth and her friends in the village of Hurst, a stone’s throw from Reading, west of London, have fashioned a woolly coronation procession to rival the pomp and circumstance that will take place when Charles is crowned on May 6 at Westminster Abbey. (Photo by David Cliff/AP Photo)

Actors and figurants participate in the staging of the Live Stations of the Cross and Procession of the Dead Lord during the celebration of the easter in the Medieval Village of Ourem, Portugal, 15 April 2022. The Live Stations of the Cross is dramatized by about 100 actors and extras from the local community, besides the requalification of the Castle and Palace of the Counts of Ourem that will provide a new setting, a new protagonist will embody Jesus Christ along the 14 stations of the Stations of the Cross. (Photo by Paulo Cunha/EPA/EFE)

A fantasy figure promotes a video game at the Gamescom computer gaming fair in Cologne, Germany, Thursday, August 25, 2022. Around 1,100 exhibitors from 53 countries expect tens of thousands gaming enthusiast daily for the first time since the COVID-19 pandemic at the world's largest gaming event. (Photo by Martin Meissner/AP Photo)

Tip Toland is a sculptor and instructor living in the Seattle, Washington area. Her current focus is figurative ceramic sculpture. Tip is represented by the Nancy Margolis Gallery in New York City.

Photo: “Letter to God”, 2011. Stoneware, paint, chalk pastel, hair. (Photo by Tip Toland/Marie-Andrée Côté)

"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.