Jordan Spence and Dawson Stallworth watch waves come ashore as Hurricane Sally approaches in Orange Beach, Alabama, U.S., September 15, 2020. (Photo by Jonathan Bachman/Reuters)

“Valentine Shmalentine”, 2011. (Photo by GillyFace)

Woman on phone in hotel room. (Photo by DreamPictures/Getty Images)

In this photo taken Sunday, March 12, 2017, a girl Abuk walks home with her brothers and friends after collecting clean water from a water point four kilometers away from her home, in Aweil, in South Sudan. As World Water Day approaches on March 22, more than 5 million people in South Sudan, do not have access to safe, clean water, compounding the problems of famine and civil war, according to the UNICEF. (Photo by Mackenzie Knowles-Coursin/UNICEF via AP Photo)

A giant biodegradable landart painting entitled “Vers l'equilibre” (Towards balance) by French-Swiss artist Saype is pictured near the summit of the Grand Chamossaire mountain, above the alpine resort of Villars-sur-Ollon, Switzerland, Wednesday, July 06, 2022. Extending over an area of 2500 square meters, this fresco was created using biodegradable pigments made out of charcoal, chalk, water and milk proteins. (Photo by Valentin Flauraud/Keystone via AP Photo)

One of the busiest areas in Birmingham, United Kingdom last night was Ludgate Hill in the city's Jewellery Quarter. Brits enjoying the hottest August day for almost 20 years spilled out of packed pubs on August 7, 2020 after sunbathing on beaches around the country as the mercury rose to 36.4C. (Photo by SnapperSK/The Sun)

“I wonder about everyone that I photograph, what are they thinking at the moment, what is going on in their life, what are they really like. Photographs are such abstractions of real life, both true and false at the same time and so limited in the scope of what can be captured, yet limitless in how it stimulates our imagination. Indeed, photography is a rich medium”. – Mike Peters. Photo: Meatpacking District, NYC, September 28, 2012. (Photo by Mike Peters)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)