“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

A man walks inside the flooded Cochin international airport after the opening of Idamalayar, Cheruthoni and Mullaperiyar dam shutters following heavy rain, on the outskirts of Kochi, India, August 15, 2018. (Photo by Sivaram V/Reuters)

A mountain hare shakes off rain from its fur, in Findhorn Valley, Moray, Scotland in the second decade of August 2024. In summer, the hare’s coat is a grey-brown colour with a tinge of blue, making them hard to spot against the heather moorland. In winter, it changes to almost completely white for camouflage in the snow. (Photo by Will Hall/Solent News)

The blue-footed booby (Sula nebouxii) is a marine bird in the family Sulidae, which includes ten species of long-winged seabirds. Blue-footed boobies belong to the genus Sula, which comprises six species of boobies. It is easily recognizable by its distinctive bright blue feet, which is a sexually selected trait. Males display their feet in an elaborate mating ritual by lifting their feet up and down while strutting before the female.

Brazilian Treatment – Mario Testino teams up with American beauty Karlie Kloss for a story lensed in Bahia, Brazil for the July issue of Vogue US. Stylist Phyllis Posnick selects a wardrobe of colorful looks for Karlie to wear as she heads to the beaches and other stunning sights of Bahia. Whether posing with Capoeira dancers or exploring the outdoors, Karlie enchants in every image. (Photo by Mario Testino)

Here’s a closer look at the official The Simpsons LEGO set that we previewed earlier here. In celebration of the animated sitcom series’ 25th anniversary, LEGO has paired up with Matt Groening‘s cartoon creation for a two-part collaboration that features arguably two of the largest entities in popular culture. The limited-edition LEGO set depicts the Simpson family’s home, alongside mini-figures of Homer, Marge, Bart, Lisa, Maggie and Ned Flanders. The painstakingly recreated LEGO brick house can be reconfigured and opened up to reveal the inside of the four-bedroom residence. The release of the scaled set will be accompanied by a LEGO-themed episode of The Simpsons, which is set to air on FOX in May. Longtime Simpsons fans can purchase the set for $200 USD at select LEGO stores early next month.

Edinburgh mask maker Lorraine Pritchard on Sunday, January 28, 2024 alongside some of her Venetian masks which will be worn and displayed at the Venice Carnival, which starts on Saturday February 3. Lorraine studied model making at Glasgow College of Building and Printing and Venetian mask making in Florence, Italy. She travels to Venice each year to be a “mask” herself, wearing different masks she has designed as a live exhibit of her work. (Photo by Jane Barlow/PA Images via Getty Images)

Monumental landscape artwork “Hush” by installation artist Steve Messam hangs in the moors of Teesdale on July 18, 2019 in Barnard Castle, England. The outdoor installation is inspired by the geology, mining history and landscape of the area. It hangs over Bales Hush, a deep gauge in the terrain created when miners flushed the area with water to reveal the geological riches below. Hundreds of metres of recyclable saffron yellow fabric blow in the wind. (Photo by Christopher Thomond/The Guardian)