A Tibetan woman with horses in a remote area of the Yushu Autonomous Prefecture of the Tibetan Plateau on May 31, 2016. (Photo by Giulia Marchi/The Washington Post)

Freya Smith aged three, leads one of Erth’s giant dinosaur puppets across the road on August 6, 2019 in Edinburgh, Scotland. Australian theatre company Erth presents their best-selling show Dinosaur’s Zoo as part of Underbelly’s Fringe programme. Featuring giant dinosaur puppets which walk, roar and blink like the real thing, Dinosaur’s Zoo is a perfect example of edutainment for children of all ages, taking place at the McEwan Hall every day of the Fringe at 11am. (Photo by Jeff J. Mitchell/Getty Images)

A florist waits for customers at the Piedra Liza flower market in Lima April 29, 2015. The market sells flowers that come from all over Peru. Peru is home to more than 25,000 varieties of flowering plants like geraniums, carnations, roses, hydrangeas and jasmine, according to local media. (Photo by Mariana Bazo/Reuters)

Sophie and Sarah, old English sheepdogs, watch the sea from their plastic chairs. Amateur photographer Cees Bol, from the Netherlands, documents the lives of his beloved pooches Sophie and Sarah by taking pictures of them every day. (Photo by Cees Bol/Caters News Agency/Mercury Press)

The “Dancing With Costica” series began when Australia-based photographer Jane Long decided to brush up on her retouching skills. After finding the Costica Acsinte Archive on Flickr, she became fascinated with the images and their subjects, wanting to bring them to life and give them a story. Here: the Costica photo on the left inspired Jane Long to create her version, titled “Innocence”. (Photo by Costica Acsinte Archive/Jane Long)

The photos were taken at the Piton de la Fournaise volcano on Reunion Island, a French island in the Indian Ocean one of the most active volcanoes in the world. Here: The powerful erupting volcano. (Photo by Luc Perrot/Caters News)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Caras Ionut is a Romanian Photo Manipulation Photographer and “Photo Mechanic”