A prong extending from a remote-controlled robot prototype approaches the mouth of a volunteer to extract a throat swab sample, as part of a self-funded project to assist physicians in running tests on suspected COVID-19 coronavirus patients in a bid to limit human exposure to disease-carriers, at a private hospital in Egypt's Nile delta city of Tanta, on March 20, 2021. (Photo by Khaled Desouki/AFP Photo)

A Syrian man carries the body of a girl following a reported airstrike on Kafr Batna, in the rebel-held Eastern Ghouta area, on the outskirts of the capital Damascus, on September 30, 2016. Air raids on several rebel-held towns in the Eastern Ghouta region killed at least 17 people including eight children, the Syrian Observatory for Human Rights monitor said. (Photo by Amer Almohibany/AFP Photo)

Actors dressed up as zombies walk around while posing for photos with passers-by in New York's Times Square on Friday, October 10, 2014 as a promotion for the season premiere of AMC's “The Walking Dead” this Sunday, October 12, 2014. (Photo by Gordon Donovan)

Sеxy woman in lace eye cover and red lips with young lover, foreplay in hotel room. (Photo by sakkmesterke/Getty Images)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.