At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

A Muslim bride waits for the start of a mass marriage ceremony in Mumbai, India, January 27, 2016. A total of 12 Muslim couples took their wedding vows during the mass marriage ceremony organised by a Muslim voluntary organisation, organisers said. (Photo by Danish Siddiqui/Reuters)

A North Korean soldier throws a stone towards a photographer on the banks of the Yalu River in the North Korean town of Sinuiju, opposite the Chinese border city of Dandong October 21, 2006 in Sinuiju, Democratic People's Republic of Korea. (Photo by Cancan Chu/Getty Images)

Campers set structures on fire in preparation of the Army Corp's 2pm deadline to leave the Oceti Sakowin protest camp on February 22, 2017 in Cannon Ball, North Dakota. Activists and protesters have occupied the Standing Rock Sioux reservation for months in opposotion to the completion of the Dakota Access Pipeline. (Photo by Stephen Yang/Getty Images)

Canada-based photographer and graphic designer Ulric Collette came up with probably the coolest family photo shoot idea ever.

Photograph Jill Greensberg is known for her ability to bring human qualities into animal photography. Her “Bear Portraits” project carries all the spectrum of emotions and personalities along with the depths of characters captured in different members of the Ursidae family

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.