A indigenous man from the Tabajara tribe is seen in Tocantins river before the I World Games for Indigenous People in Palmas, Brazil, October 21, 2015. (Photo by Ueslei Marcelino/Reuters)

Canadian soldiers from the Royal 22nd Regiment take up a position during a non-combative extraction operation in a simulated village as part of Rim of the Pacific (RIMPAC) 2016 exercise held at Camp Pendleton, California United States, July 11, 2016. (Photo by Mike Blake/Reuters)

“I See Sea” by Photographer Dmytriy Dokunov. The frozen Black Sea. Scene of action: Odessa, Ukraine; January, 2012. (Photo by Dmytriy Dokunov)

The International Garden Photographer of the Year has announced the winner of their Black & White Photo Project 2019. Here: Blue Tit, Criccieth, Wales. (Photo by Alan Price/The International Garden Photographer of the Year)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Javier, who is based in Madrid, appears to predominantly work in photography and illustration, his series of photographs could be said to take inspiration from his current design work with brands such as Playstation.

A U.S. Marine kneels beside a Multi-Utility Tactical Transport ( MUTT) during a patrol as part of Rim of the Pacific (RIMPAC) 2016 an exercise held at Camp Pendleton, California United States, July 13, 2016. (Photo by Mike Blake/Reuters)

Sukhoi Su-30SM jet fighters of the Sokoly Rossii (Falcons of Russia) aerobatic team fly in formation during the International Army Games 2016, in Dubrovichi outside Ryazan, Russia, August 5, 2016. (Photo by Maxim Shemetov/Reuters)