Tourists ride a cable car in the form a of a Chiva, a bus used to serve rural routes, in Pitalito, Colombia, Tuesday, April 5, 2017. The ride called “La Chiva Voladora” costs about $0.70 and you zip along about 800 meters from one side of a hill to another. (Photo by Fernando Vergara/AP Photo)

People wait at a bus stop during heavy rain in Kathmandu, Nepal on September 21, 2020. The government eased the coronavirus lockdown for economic activities despite the number of COVID-19 cases is on the rise in Nepal. (Photo by Narendra Shrestha/EPA/EFE/Rex Features/Shutterstock)

Tigray refugees who fled the conflict in the Ethiopia's Tigray ride a bus going to the Village 8 temporary shelter, near the Sudan-Ethiopia border, in Hamdayet, eastern Sudan, Tuesday, December 1, 2020. (Photo by Nariman El-Mofty/AP Photo)

A demonstrator attends a protest against fare hikes for city buses in Rio de Janeiro January 16, 2015. Amid a marked economic downturn and high inflation, bus fares went up in Sao Paulo, Brazil's largest city, from 3 to 3.50 reais, and in Rio, the former capital, from 3.0 to 3.40 reais. (Photo by Mauro Pimentel/Reuters)

Protesters wear masks, the left in the colors of the Kenyan national flag, as they join others carrying mock coffins and red-painted crosses, symbolizing the blood of the 28 non-Muslims singled out and killed in the recent attack on a bus in Mandera by Somali militant group al-Shabab, outside government offices in downtown Nairobi, Kenya Tuesday, November 25, 2014. (Photo by Ben Curtis/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

“The inspiration for this book came to me one afternoon as I watched my son, Hudson, playing with his toy bus. I was trying to keep pace with his three-year-old mind as he got deeper and deeper into a fantasy involving nothing more than a yellow plastic box and armless figurines. At least that’s what I saw. He saw frantic commuters rushing to catch the 77 local bus to Australia. He jumped in place, mouth open and slapping his knees, joyously reacting to a world I couldn’t see, but one powerfully present for him...”. – Jordan Matter

Photo: “Dancers Among Us”: Macys, NYC – Annmaria Mazzini. (Photo by Jordan Matter)

A protesting student runs past a burning bus off campus outside the University of the Witwatersrand in Johannesburg, South Africa on Monday, October 10, 2016. Tear gas and water cannon were fired as hundreds of students protested at the university amid a bitter national dispute with university managers and the government over demonstrators' demands for free education, forcing student into the neighbouring city streets. (Photo by AP Photo)