British underwater photographer of the year – winner. “Love Birds” by Grant Thomas (UK). Location: Luss Pier, Loch Lomond, Scotland. Thomas’s initial idea was to frame a split shot of one swan feeding below the surface of the water but when he noticed how comfortable they were around him he was confident, with some patience, he could get that magical shot of the two. (Photo by Grant Thomas/UPY 2018)

People take part in a protest outside the Department for Education, London, Sunday August 16, 2020, in response to the A-level results. The British government has been urged to “get a grip” over how grades are being awarded to school students, who were unable to take exams earlier this summer because of the coronavirus pandemic. The latest confusion emerged late Saturday when England’s exam regulator launched a review on its own just-published guidance on how students can appeal grades awarded under a complicated system. (Photo by London News Pictures/The Sun)

This extraordinary series of close-up photos turns mundane insects into terrifying beasts from another world. The bugs are captured in intricate detail by photographer Javier Ruperez, using a special lens, revealing just how complex the tiny creatures are. (Photo by Javier Ruperez/Solent News & Photo Agency)

Andrew Ling's inspiring photographs showcase the splendor of the natural world, using people to highlight the beauty and scale of these epic landscapes. Each image features a person photographed from hundreds of feet away, seemingly insignificant in comparison to the breathtaking landscape that surrounds them – whether beneath gushing waterfalls, under millions of glittering stars or atop of gigantic cliffs. Andrew, 22, said, “I hope these images will help remind people how beautiful the world we live in is”. Here: Second Beach, La Push, Washington, March, 2015. (Photo by Andrew Ling/Caters News)

Have you ever heard of a phenomenon called the Uncanny Valley? Illustrations created by Swiss illustrator Christo Dagorov show how horrible something may look when it’s a hair’s breadth away from looking human. In his illustrations he combined the shape of human lips with trees, buildings, and even human bodies, making it look from a distance as if the lips were horribly deformed by some unknown disease. However, after a while you make out the shapes, yet the feeling of uneasiness remains, making you shiver from unsuppressable disgust. (Photo by Christo Dagorov)

In this Tuesday, March 12, 2019 photo, a visitor takes part in an immersive experience showing visitors how dogs see from inside the head of a dog at the California Science Center in Los Angeles. A new exhibit at a Los Angeles museum examines the relationship between dogs and humans and explores why the two species seem to think so much alike and get along so well. “Dogs! A Science Tail” opens Saturday, March 16, 2019, at the California Science Center. (Photo by Richard Vogel/AP Photo)

Reflected in the rearview mirror, Jose Collantes gets a hug from daughter Kehity while they're stopped at a red light, as Jose drives his five-year-old home from a playdate in Santiago, Chile, Sunday, September 6, 2020, three months after they lost his wife, her mother, to COVID-19. Their case highlights how COVID-19 deaths the world over are often the beginning of a new personal journey for those affected. (Photo by Esteban Felix/AP Photo)

An actor dressed as a zombie performs during a drive-in haunted house show by Kowagarasetai (Scare Squad), for people inside a car in order to maintain social distancing amid the spread of the coronavirus disease (COVID-19), at a garage in Tokyo, Japan on July 3, 2020. A Japanese performance group is starting a run of drive-in horror shows for people who are scared of catching the coronavirus but still want to get close-up frights from ghouls and zombies. Audience members will drive into a garage in Tokyo, one car at a time, and listen to a murder story and sound effects blared out of speakers, as actors dressed as monsters bang on the side of the vehicle and spray fake blood over the windows. (Photo by Issei Kato/Reuters)