Many people have seen feathers as decorative items before. Today, ostrich, peacock and bird of paradise feathers can be seen in haute couture and in the costumes of indigenous peoples. They can be colorful and spectacular in their own right, but how much more stunning might they be when used as canvases for artists, eager to demonstrate their talent for the unusual? Alaskan-born and -bred artist Julie Thompson is an astounding exponent of this incredible art form.

Artist Johnson Tsang has been posting an amazing series of process photos over on his blog that demonstrate how he makes many of his bizarre ceramic creations. One piece that really stood out is called ‘A Painful Pot’, which is a functional teapot being squeezed by a dragon, its head functioning as the spout.

There isn’t exactly a college out there for face painting so Elsa Rhae Pageler‘s talent is as raw as it comes. Perhaps what’s even more amazing is that the video editor and producer from Kansas City graduated with a degree in Film and Media Studies and only does face painting and airbrushing as a side job. An application may take anywhere from 1 to 3 hours and apart from outside gigs, she features video tutorials on her YouTube channel showing how she paints herself to recreate video game and fictional characters. Photo: “Face Palm”. (Photo by Elsa Rhae Pageler)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

“Noh, or Nogaku – derived from the Japanese word for “skill” or “talent” – is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh “performance day” lasts all day and consists of five Noh plays interspersed with shorter, humorous kyōgen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyōgen play in between”. – Wikipedia

Photo: A renowned Noh actor, Otoshige Sakai, demostrates how to put on a Noh mask, on May 17, 2004 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Hu Shaoming is a fantastic artist from China, who has learnt Fine Arts at Guangzhou Academy. The most complex sculpture of all his works is a mechanical seahorse, constructed from many tiny details. The whole composition consists of two complete opposites, including the top part of the seahorse`s head that looks like a golden town, and the bottom which resembles an amazing blue creature. An important problem is reflected in such an idea; it shows how a man forces the nature into submission. The contrast in the opposition of the human buildings and conquered Mother Nature suggests the thought of keeping our natural environment safe.