Cosplayers attend the MCM Comic Con London 2022 at the ExCel Centre in London in London, Britain on October 28, 2022. (Photo by Maja Smiejkowska/Reuters)

Colombia's Tatiana Renteria Renteria (red) wrestles Japan's Yuka Kagami (blue) in their women's freestyle 76kg wrestling semi-final match at the Champ-de-Mars Arena during the Paris 2024 Olympic Games, in Paris on August 10, 2024. (Photo by Punit Paranjpe/AFP Photo)

Lilly Caron, 8, of Bridgeton, Maine, Jason Homchick, of San Diego, and Lilly's father Jason Caron, (obscured), ride the Sky Swing at Seacoast Adventure, Thursday, July 14, 2016, in Wyndham, Maine. The 100-foot-tall swing gives riders the combined thrills of sky diving and hang gliding. (Photo by Robert F. Bukaty/AP Photo)

Tightrope walker Tatian-Mosio Bongonga hangs from a tightrope as she pauses while scaling the Monmartre hill towards the Sacre Coeur Basilica (not pictured) in Paris, France, July 20, 2018. (Photo by Philippe Wojazer/Reuters)

Wildlife category, open shortlist. “Buffaloes and stars”. This picture, taken at Zimanga game reserve in KwaZulu-Natal, South Africa, used an in-camera multiple exposure, with the first lit for the buffaloes and the second focused on the stars. (Photo and caption by Andreas Hemb/2017 Sony World Photography Awards)

Arachnids category 3rd place: dancing spider by Raed Ammari. Male jumping spiders (in this case a Phidippus insignarius) perform a courtship dance in which they almost form a heart shape with their legs. This one was shot in Colorado. (Photo by Raed Ammari/Luminar Bug Photographer of the Year 2020)

Jimmy Bryan of Phoenix, Ariz., gets the checkered victory flag at the Indiana State Fairgrounds September 17, 1955 as he wins the “Hoosier Hundred” for the second consecutive year. Bryan averaged 83.98 miles an hour for the 100-lap, 100-mile AAA big car race. (Photo by AP Photo)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.