Do you think that history is a science? Well, not exactly. First, and foremost, history is the state's “legend of wars”, it’s official regalia. Of course, public historians are not interested in scientific truth – quite the opposite. In this respect, any attempt to present a state’s history as altruistic and benevolent as possible is welcomed and encouraged – as opposed to any revisionism attempts that may be more accurate. In this matter, Chinese have surpassed us all – they revised in highly creative manner (but rather shamelessly) the technology already invented by Europeans, a process that resulted in oldest state on the planet. Here is an interesting paradox: ask any sinologist about the Middle Kingdom during second century B.C., and he will describe it to you in such a vivid manner as if he has been living there all his life – but as soon as you will ask him to describe Chinese history in the 19-20th centuries… let's say, his eagerness will be greatly diminished. However, we will discuss China in a different article, and in the meantime we will try to understand how exactly historic “legend of wars” is formed and functions – based on a specific and well-known example. A great example is Ferdinand Magellan's first voyage around the world.

Situated in the Pacific Ocean some 620 miles (1,000 km) from the South American continent, these 19 islands and the surrounding marine reserve have been called a unique “living museum and showcase of evolution”. Photo: “Close-up. We had a juvenile Red-Footed Booby come visit us on the sun deck. I got some closeups with my ultrawide 11-16mm Tokina”. (Photo by Carl Fredrickson)

Brian Skerry can be called many things – explorer, journalist, conservation advocate – but he is first and foremost a photographer. His journeys to capture amazing underwater photographs have taken him across the world’s oceans. Photo: This Bahamian oceanic whitetip shark, known for the distinctive coloring on its white-tipped, rounded extremities, is part of a globally threatened species due to overfishing demands, primarily for its fins. (Photo by Brian Skerry)

The Smilovichi Felting Factory in Belarus was founded in 1928, when Smilovichi was a small Jewish settlement of craftsmen. Five of those craftsmen organized a small artel (a cooperative association of craftsmen who all live and work together), which produced warm boots called “valenki” for cold weather. Photo: Belarusian workers works at a felt boot factory in Smilovichi, some 35km from Minsk, Belarus, 16 January 2012. (Photo by Tatyana Zenkovich/EPA)

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space

Hailey Hanestad thinks nothing about nuzzling up to the animal, called Wiley, and even dozes off with him on her bed. Wiley has been a treasured member of the family since being rescued by Hailey's dad, Rick, three years ago. Today he's thought to be just one of two coyotes in the US that have become domesticated after being born in the wild. Photo: Coyote Wiley sniffs Hailey, 8, at their home. (Photo by Barcroft Media)

Members of the Castellers “Vila de Gracia” start forming their famous human tower called “castell” in the Barcelona neighborhood of Gracia, Catalonia, Spain on Sunday May 19 2013. A “castell” is a human tower traditionally built during festivals in many places in Catalonia. At these festivals, several "colles" or teams compete to build the most impressive towers they can. (Photo by Emilio Morenatti/Associated Press)

Zdzisław Beksiński, 24 February 1929 – 21 February 2005) was a renowned Polish painter, photographer, and sculptor. Beksiński executed his paintings and drawings either in what he called a 'Baroque' or a 'Gothic' manner. The first style is dominated by representation, with the best-known examples coming from his fantastic realism period when he painted disturbing images of a surrealistic, nightmarish environment. The second style is more abstract, being dominated by form, and is typified by Beksiński's later paintings.

Beksiński was murdered in 2005.