People enjoy their time during the last day of the Dubai Expo 2020 in Dubai, United Arab Emirates, Thursday, March 31, 2022. The world's fair in Dubai, the pandemic-delayed Expo 2020, closed on Thursday after six months of concerts, conferences and festivities. (Photo by Ebrahim Noroozi/AP Photo)

Raka Soko, a traditional healer and Poro society member is deep in prayer while holding a broom and a bottle filled with spiritual wine that is purified to show gratitude to the gods before a ceremony in Waterloo on November 26, 2018. Standing across the field from him another member, Amos Nicol, holds a statue of the spiritual god Sama Yorbu which is used to communicate directly to other gods for permission to perform. (Photo by Lynn Rossi/AFP Photo)

Actors dressed up as zombies walk around while posing for photos with passers-by in New York's Times Square on Friday, October 10, 2014 as a promotion for the season premiere of AMC's “The Walking Dead” this Sunday, October 12, 2014. (Photo by Gordon Donovan)

Sеxy woman in lace eye cover and red lips with young lover, foreplay in hotel room. (Photo by sakkmesterke/Getty Images)

The giant inflatable Rubber Duck installation by Dutch artist Florentijn Hofman floats on the Parramatta River, as part of the 2014 Sydney Festival, in Western Sydney, January 10, 2014. The creation is five stories tall and five stories wide and has been seen floating in various cities around the world since 2007. (Photo by Jason Reed/Reuters)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

A young Free Syrian Army fighter holds a rifle in Haresta neighbourhood of Damascus January 16, 2013. (Photo by Goran Tomasevic/Reuters)

A cosplayer dressed as a “remote worker” with “corporate slave” written on his glasses poses for a photo on New Year's Eve at Comiket, the largest comic market that had been postponed for two years because of the coronavirus disease (COVID-19) pandemic, in Tokyo, Japan December 31, 2021. (Photo by Androniki Christodoulou/Reuters)