A man looks at a photograph by French photographer Robert Doisneau entitled “The Fate Line: Pablo Picasso at Vallauris, 1952” during the presentation of the photo-exhibition “Picasso, photographer's gaze”, on June 5, 2019 at the Picasso Museum in Barcelona. (Photo by Lluis Gene/AFP Photo)

Survivors pass by two large boats after they were washed ashore by strong waves caused by Typhoon Haiyan in Tacloban city, Leyte province central Philippines on Sunday, November 10, 2013. Typhoon Haiyan, one of the strongest storms on record, slammed into six central Philippine islands on Friday leaving a wide swath of destruction and hundreds of people dead. (Photo by Aaron Favila/AP Photo)

Shi'ite fighters launch a rocket during clashes with Islamic State militants on the outskirts of al-Alam March 8, 2015. Thaier Al-Sudani: “It was me and a few other Iraqi journalists working for local outlets. We went to the frontlines in coordination with the Iraqi government forces and supporting militias. The press officer would come in the morning and take us to the frontline in a convoy. Whenever an area was won from Islamic State, the fighters would chant and pray and show victory signs. Most of the areas we were in didn't have residents, so after the battle they would resemble ghost towns; nothing but burnt cars and charred bodies of Islamic State fighters. Al-Alam was an exception as it had some residents who chanted for the government forces after their victory”. (Photo by Thaier Al-Sudani/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Alisa, 10, gets a kiss from one of the wolves her family tamed in the village of Zacherevye, Belarus, on August 17, 2014. (Photo by Sergei Gapon/AFP Photo)

An army tank fires during a firefight against militants linked to al Qaeda near the southern Yemeni city of Zinjibar May 30, 2012. (Photo by Reuters/Yemen's Defence Ministry)

An Afghan National Army (ANA) soldier assigned to the Mobile Strike Force Kandak fires a RPG-7 rocket-propelled grenade launcher during a live-fire exercise supervised by the Marines with the Mobile Strike Force Advisor Team on Camp Shorabak, Helmand province, Afghanistan, May 20, 2013. The Marines with the Mobile Strike Force Advisor Team instructed and mentored their ANA counterparts on how to properly utilize their weapons systems. (Photo by SSgt Ezekiel R. Kitandwe/RCT 7)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)