Pham Thi Thanh drinks a glass of water used as a treatment during a medium ritual at a Hau Dong ceremony at Phu Day temple in Nam Dinh province, Vietnam, May 7, 2017. Dating to the 16th century, Hau Dong centres on a belief in the Mother Goddesses of three realms – forest, water and heaven. It draws from elements of Taoism, Buddhism and other religions. (Photo by Reuters/Kham)

A picture taken with a drone shows the giant landart painting entitled “Message From Future” by French artist Saype in the park “La Perle du Lac” in Geneva, Switzerland, 16 September 2018 (issued 17 September). The artwork covering 5,000 square meters was produced with biodegradable paints made from natural pigments. The artist called the little girl “Future” as a symbol of the generations from the future and the small origami boats that she drops into Lake Geneva aims to represent a message of hope sent to the world. (Photo by Valentin Flauraud/EPA/EFE)

A folk artist performs a stunning fire-pot performance on October 18, 2024 in Guangzhou,Guangdong Province of China.Huohu (fire pot) is a traditional folk performance art.Performers put well-burned charcoal into iron meshes on both sides and shake the meshes up and down so that the charcoal will flare up and blazing sparks will burst out of the meshes and light up the sky just like fireworks. (Photo by John Ricky/Anadolu via Getty Images)

A radio-controlled flying witch makes a test flight past a moon setting into clouds along the pacific ocean in Carlsbad, California October 8, 2014. Reuters was invited to photograph the testing of the life sized device by inventor Otto Dieffenbach lll. (Photo by Mike Blake/Reuters)

A partially frozen Niagara Falls is seen on the American side lit by lights during sub freezing temperatures in Niagara Falls, Ontario March 3, 2014. (Photo by Mark Blinch/Reuters)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.