This picture taken on November 1, 2014 shows Japanese body-painting artist Hikaru Cho (L) adding the finishing touches to a body painting of fingers sticking out from prison cell bars on the head of Ryonosuke Tanaka during “Tokyo Designers Week” in Tokyo. Cho, 21, was born to Chinese parents in Japan and burst onto Tokyo's art scene when she entered the city's Musashino Art University in 2012. Cho's ultimate ambition is to paint an entire – and naked – body. (Photo by Yoshikazu Tsuno/AFP Photo)

People are seen on a street in Havana December 17, 2014. Stunned Cubans celebrated an apparent end to decades of conflict with the United States on Wednesday after both governments said they would restore diplomatic relations cut off in 1961. Many said they expected a restoration of ties would lead to the end of a U.S. economic embargo against Cuba, which is vilified daily in the official media and which Cubans accept as a key cause of widespread poverty on the island. (Photo by Reuters/Stringer)

Rohingya refugee children pictured in a camp in Cox's Bazar, Bangladesh, September 19, 2017. With a mass exodus of Rohingya Muslims sparking accusations of ethnic cleansing from the United Nations and others, Myanmar leader Aung San Suu Kyi on Tuesday said her country does not fear international scrutiny and invited diplomats to see some areas for themselves. (Photo by Cathal McNaughton/Reuters)

A man takes a picture of sea spray as storms hit Cape Town, South Africa, June 7, 2017. (Photo by Mike Hutchings/Reuters)

French-Argentine actress Berenice Bejo poses during a photocall for “Final Cut (Coupez !)” at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 18, 2022. (Photo by Loic Venance/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A boy looks for sellable materials close to the burning garbage in the permanent waste land under Sylhet City Corporation for a living, on January 15, 2015. (Photo by Md. Akhlas Uddin/Pacific Press)