Four pillars of light from the 4 Laser Guide Star Facility on ESO's Very Large Telescope (VLT) are shown reaching into the Chilean night sky in this image from ESO Photo Ambassador Fred Kamphues, on September 2, 2016. The lasers are a key part of the adaptive optics system on the VLT. Adaptive optics allows astronomers to drastically reduce the atmospheric distortion present at even the best sites in the world for astronomy, including Paranal in Chile, the home of the VLT. (Photo by F. Kamphues/ESO)

Brain-on-a-chip. Dazzling in green and magenta this image shows the nerve fibres (in green) produced by neural stem cells (in magenta) as they grow on a synthetic gel. Captured by a technique known as confocal microscopy, the image is part of research shedding light on how tinkering with the environment can affect the way in which nerve fibres grow. (Photo by Collin Edington and Iris Lee/Massachusetts Institute of Technology/Wellcome Images)

Devotees wear costumes made of banana leaves as they head to church to attend mass as part of a religious festival, in honor of St. John the Baptist, also known locally as the “mud people” festival, in Aliaga town, Nueva Ecija province, north of Manila, on June 24, 2017. Farmers coated in mud paraded in Philippine villages on June 24 to mark one of the Catholic nation's most colourful religious festivals. (Photo by Noel Celis/AFP Photo)

"Temptation", part of an installation from the artist-duo David Burns and Austin Young, appears among the works of 30 artists in the multimedia exhibition "The Value of Food: Sustaining a Green Planet" at the Cathedral of St. John the Divine, Wednesday, October 7, 2015, in New York. The exhibition, installed in the cathedral's seven chapels and 14 bays, explores food accessibility, sustainability and other food-related issues and runs through April 3, 2016. (Photo by Bebeto Matthews/AP Photo)

Young revelers take part in a parade called "La Calabiuza" on November 1, 2015, on the eve of the Day of the Dead in Tonacatepeque, 20 kms (13 miles) north of San Salvador. During the celebration, the residents of Tonacatepeque, originally an indigenous community, recall the characters from the mythology of Cuscatlan – pre-Columbian west and central regions of El Salvador – and their dead relatives. (Photo by Marvin Recinos/AFP Photo)

In this Friday, November 6, 2015 photo dancers Alba Ibanez, right, and Luis Chavez, both from Spain, dress up backstage before taking part in the World Salsa Master dance competition in Madrid. Ten dance couples from different countries around the world performed in front of an audience of around 2,000 people. Participants – who wore bright, colorful outfits – came from the United States, Italy, Spain, Portugal, Mexico, Chile, Uruguay, Czech Republic and Venezuela. (Photo by Francisco Seco/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Artist Pyotr Pavlensky sits on the wall enclosing the Serbsky State Scientific Center for Social and Forensic Psychiatry after he cut off a part of his earlobe during his protest action titled “Segregation” in Moscow October 19, 2014. Pavlensky protested against the usage of forensic psychiatry for politically motivated purposes. He cut off his earlobe to demonstrate how authorities could “cut off” an unwanted individual from society by using psychiatric and medical diagnosis to forcefully send a person to a penitentiary hospital, according to Pavlensky. (Photo by Maxim Zmeyev/Reuters)