An ultra-Orthodox Jewish bride takes part in the “mitzva tantz”, the custom in which relatives dance in front of the bride after her wedding ceremony, in Netanya, Israel, early March 16, 2016. (Photo by Baz Ratner/Reuters)

Church members pray at the Dolieb Hill Presbyterian Church in the Protection of Civilians (POC) site at the United Nations Mission in South Sudan (UNMISS) compound in Malakal, South Sudan on Saturday, July 9, 2016. (Photo by Jane Hahn/The Washington Post)

Migrants play soccer at makeshift camp in Via Cupa (Gloomy Street) in downtown Rome, Italy, August 2, 2016. Italy is taking in thousands of boat migrants every week for a third year in a row, and friction is common between them and those who live along the path many take on their journey towards northern Europe. (Photo by Max Rossi/Reuters)

A sign that reads “No more massacres LGBT” is seen to remember the victims of the Pulse nightclub mass shooting in Orlando, near the U.S. Embassy in Mexico City, Mexico, June 14, 2016. (Photo by Edgard Garrido/Reuters)

The nearly four-week-old Tapir cub bathes on June 28, 2016 in Gondwanaland at the zoo in Leipzig, Saxony. (Photo by Jan Woitas/DPA)

Two women in traditional kimonos wear face masks to help curb the spread of the coronavirus as they visit the Sensoji temple in Tokyo on Friday, August 7, 2020. (Photo by Hiro Komae/AP Photo)

A horse handler poses with a horse during a beach parade at Muizenberg beach, in Cape Town, South Africa on January 5, 2024. (Photo by Esa Alexander/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)