Two sloth bear cubs save their paws from the hot ground during a search for food in the Daroji Bear Sanctuary in Karnataka, India in the second decade of January 2025. (Photo by Baiju Patil/Solent News)

Photographer Logan Zillmer took this photo of the harvest moon above a corn field as part of his “Traveler” series on Flickr. (Photo by Logan Zillmer)

“Li Wei (born in 1970, Hubei, China) is a contemporary artist from Beijing, China. His work often depicts him in apparently gravity-defying situations. Wei started off his performance series, Mirroring, and later on took off attention with his Falls series which shows the artist with his head and chest embedded into the ground. His work is a mixture of performance art and photography that creates illusions of a sometimes dangerous reality. Li Wei states that these images are not computer montages and works with the help of props such as mirror, metal wires, scaffolding and acrobatics”. – Wikipedia

Photo: Love at the high place I (Photo by Li Wei)

A Haka is performed before the ceremonial departure of the 'vaka' or traditional canoes ahead of their cross-Pacific voyage from Viaduct Harbour on April 13, 2011 in Auckland, New Zealand. Powered by sun and wind only, the 15,000 nautical mile journey to Hawaii via French Polynesia will set off on April 15, aiming to raise awareness of environmental issues such as ocean noise pollution, acidification and anoxic waters, whilst recapturing traditional Pacific voyaging. The votyage is named “Te Mana o Te Moana” meaning “The Spirit of the Sea”. (Photo by Phil Walter/Getty Images)

The new Toyota Camry Hybrid LE is parked next to the redesigned 2012 Camry SE after the unveiling event on the Paramount Studios lot on August 23, 2011 in Hollywood, California. The five-seat Camry SE and the Hybrid XLE sedans go on sale in December. (Photo by Kevork Djansezian/Getty Images)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.