A dachshunds is dressed in an outfit as it is shown off during the eighth annual Dachshunds Parade in Saint Petersburg, Russia on May 25, 2019. (Photo by Olga Maltseva/AFP Photo)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)

A window cleaner passes a lighter to his colleague while rappelling from a new building in Tianjin March 23, 2007. (Photo by Reuters/Stringer)

“Like most Brits, Emmie Stevens is dog mad. But the 25-year-old has taken it to the next level, spending £30,000 on her nine pets. Emmie’s dogs enjoy regular manicures and fur dyes and have their own walk in wardrobe to store their £15,000 clothing collection”. – Daily Record. Photo: Bailey the Staffordshire bull terrier, holding a red rose. (Photo by Helen Yates/Barcroft Media)

The sun rises over the River Brue on the Somerset Levels as temperatures in parts of the south west drop below freezing, on January, 20, 2015. (Photo by Ben Birchall/PA Wire)

Photographer Logan Zillmer took this photo of the harvest moon above a corn field as part of his “Traveler” series on Flickr. (Photo by Logan Zillmer)

Professor Xie Yong works on an art installation of a beaver, which is made out of plastic and around 300,000 needles, in Shenyang, Liaoning province, July 23, 2013. The needles, according to Xie, represent the pain felt by animals when their fur is taken off to produce clothing. (Photo by Reuters/Stringer)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)